fuckatherine: (dog rest)
This summer seems to a revival of the old giants: dolls, war crimes, the tyrants of 2015 Youtube. I generally despise the sequel and, even worse, the remake because sometimes simply no one asked! It is nice however to be able to conceptualize a generation's feelings, albeit broadly, regarding our childhoods. 

I enjoyed Barbie much more than I had expected. I got some good laughs in (the Lou Reed line lol) and basked in the flow of the movie which is truly all I think is necessary for a good viewing experience. Leaving the theater I recognized that whatever qualms I had about the movie and Greta Gerwig as a person and a director came down to the fact that I would simply never find what I was looking for in her films.

Think Francis Ha, think Little Women... Greta Gerwig makes movies about girlness through the lens of the white woman which are two aspects that I will never engage with fully separately nor together. And I cannot change that about her or her movies. It's unreasonable for me to expect she to give me what I want. That's fine! 

It's like the complaint that Troye Sivan's Rush MV is too white and too skinny. Troye Sivan... is a skinny... white... gay...man...who hangs out with...skinny white gay men! Obviously we all have a duty to be conscious and considerate of who we surround ourselves with but it simply does not surprise me that this is his friend group. And should I be expecting more than that? Not really. 

Side bar I was thoroughly shocked to realize that not everyone went through the Blue Neighborhood trilogy with rapt attention as a tween and casually followed Connor Franta's life for the ensuing five years afterwards. I WAS THERE WHEN THE WAR STARTED! Nowadays these are just words -- Zoella, Troyler, MagCon -- but back then....

I really eeked out this entry word by word... writing and reading has been so arduous lately as seen in my failure to write anything since the early month but I'm hoping to really start working on the books I checked out. I'm thinking An Inventory of Losses first, then, salt slow, then perhaps finishing Klara? Iza's Ballad intimidates me. It looks dense in an unpleasant and a Penguin Classics way. I don't even know if I'll end up reading the last one because honestly TikTok book recommendations cannot be trusted at times. Hopefully by the time I leave for Chicago I'll have read enough to post a summer book review!
fuckatherine: (dog rest)
Sean had us read Stuart Dybeck's Pet Milk back in winter. By this point of the year I, fed up with reading-heavy course loads and further upset that Pet Milk in fact had nothing to do with anthropomorphic or domesticated milk, was not expecting much from the story. And for the most part I would be validated in this presumption. Dybeck and I clearly existed in firmly separate realms. I read his experience and that was that. 

Days later, surprisingly, I had transformed: I could not stop thinking Pet Milk.

A couple paragraphs into describing his then-girlfriend, Dybeck says that "it was the first time I'd ever had the feeling of missing someone I was still with."

That line started to really gut me. 

I spent a lot of wintersession moping in bed and thinking about the winter malaise, my friends down the hill, my partner, the cold, the far-impending summer, and genuinely wishing I had never read that wretched sentence. Dybeck had vocalized that sticky feeling I had labelled greediness and insecurity, the feeling I chased away whenever there was a mention of a year abroad or post-graduate plans or rent money or long term employment. Now there were words for that sadness and I could not forget them.

I'm a squeezer. I need to hold tight onto things and see for myself that every last drop has been used up until I can let them go. It's not a good thing, I know.

Recently I've been working on this tendency under the mantra of Irregardless, the time will pass. I'm hoping it'll help me avoid the disastrous overthinking I do a lot. I never used to think super long term so I don't think I've quite understood how to balance it with the present. I usually just end up freaking myself out about scenarios that would only ever happen because my fear propels me into action and them into existence.

I'm thinking now about the word "still". Still with, still here, still? Still doing that? I think I'm just scared of being reduced to my stubbornness and, I don't know, stuckness. 

It's just hard to move on when it feels too early to do so. I hate knowing an end is near but having to just cope with it in sight. Should I try harder to savor it or start mourning? Can these things coexist?

Oh fuck I forgot to talk about the Modern Love column. Got too wrapped up in the whole other complaining thing. I don't even remember what I was going to say about it. Oh well. I'm lucky to be experiencing my own modern love! So glad to be born in this time period. Aden if you're seeing this at any point I hope your day (night?) is going well.

fuckatherine: (dog rest)
For most of my life I've always assumed that regardless what kind of injury I sustain, my body will pull through. There's never really been a time where I felt genuinely concerned about the longevity or severity of an injury, most because up until college, I could pinpoint exactly where the hurt was coming from. Pain becomes much easier to recognize, validate, and dismiss when it is self inflicted. I mean this in a very general sense: when I played vaguely competitive tennis in high school I knew that my elbow soreness and shoulder issues came from my forehand. Occupational hazard. Thus, if I stopped play tennis these pains would go away. If I cause the pain, I know it, and I know how to end it. 

I guess young people tend to be more foolhardy because we're at that age where, barring any preexisting conditions, our bodies do in fact recover almost unnaturally fast. This trap is old and I still fell for it. It led to this kind of body-as-vessel mindset: I never stretched, always pushed limits, reveled in soreness and bruises and scrapes. Pain marked effort and we all reward effort. 

I've never respected my body the way I should. Our relationship can be described as one of presumed labor and mending. 

My first serious injury happened spring of freshman year at the climbing gym. I remember feeling exhausted but wanting to try this climb just one more time. I remember knowing that there was a jump to a sloping hold and I remember knowing I had neither the technique nor the strength to even make the jump. But I tried anyways. 

As I fell my ankle caught on a large hold towards the bottom of the wall and snapped upwards. Long story short, it took me more than a month to walk properly without a brace. It's been a year and this ankle still has decreased mobility and is prone to arbitrary weakness. That was actually one of the better injuries, I think, because I knew exactly what happened and the solution was pretty obvious. What scares me is when the cause is unclear. The room for speculation means that I could have done something irreversible. 

Spring of sophomore year I had been pole dancing for maybe a month or so when my right wrist started hurting. Then it was my left. I couldn't rotate them without sharp stabbing pain and often had difficulty putting weight in my hands. This time period really scared me. But it passed because the pain passed. 

In retrospect, these two injuries are incredibly similar thematically: I exercise without preparation and overexert myself when I know that I shouldn't. Then I suffer the consequences. 

So I am not all that surprised about the current injury that I'm nursing. It's been a week and a half since my finger hurt started hurting. The fingers on my right hand remain stiff, the worst still being middle knuckle on my right index. The left hand as mostly returned to normal. I climbed a little yesterday to test the waters and pretty much left immediately. I stretch religiously. I avoid stressing my hands. I feel stupid.

I don't know why I thought I would be able to jump from climbing once a week to climbing nearly everyday. And climbing the same type of climb every time too! 

Sometimes I wonder why I don't just go to the doctor when these things occur, just to give peace of mind and perhaps medical treatment. Of course I would consult a PT or physician if things escalated. But I don't even really know what escalation would mean. I think part of it definitely has to do with my parents. My mother is staunch supporter of Chinese traditional medicine and my father strongly prefers to not use medicine if not needed. He says it puts unnecessary chemicals into the body. In my family, the doctor is a last resort. Your own willpower comes first. 

On the other hand, my sister used to have really bad contamination OCD and hyperfixated on disease. I wouldn't say he was a hypochondriac, but the combination of that with my tendency to Google things to death makes me incredibly paranoid whenever I feel off. 

I think my parents and my sisters have influenced me to be overly nervous yet unwilling to seek help when injured. Bad blend. Really bad. But it explains a lot, maybe. 

I care a lot about my hands. As an artist and ceramics major, my hands are tied directly to my career and livelihood. As a child I used to dream about losing my right hand in a freak accident. It horrified me so much that I used to practice drawing with my left hand in preparation for disaster. 

I got the message. I'll be nice now. In some ways I'm grateful for this break because I've recognized that my attitude towards my body needs to change. I am incredibly lucky that my hands are healing, that I do get another chance. I want to climb with all my might and not worry about pulling a muscle or popping a joint or causing a degenerative disease down the line. I'll put in the work, I promise. And it only took me three injuries to realize. 

Third time's the charm?
fuckatherine: (kristofferson)
 The 9-5 work day genuinely is the death of passion. I get home every night and I am so tired that the most I can muster myself to do really is lay around. At least before I could look forward to the climbing gym, but given the state of my tendons right now, I doubt I can climb the way I want to for another week or so. Why do I have to be punished for just doing what I want? Admittedly the injury is forcing me to be cautious about my limits but then again I completely forgot about my similar and equally frustrating wrist injury from pole overexertion this past spring. I never learn!

Camp has further cemented my belief that I don't want to be a teacher and I don't want kids. I know these two things likely will change in the next decade or so but I cannot imagine having to spend all of my time giving and giving and giving. So what if I don't want the selflessness of motherhood? When you are a mother you must wholly and willingly resign to the fact that your life is no longer solely yours. And obviously, in a traditional pregnancy and motherhood, this sharing is not hypothetical but rather bleakly and blatantly physical. I give you my fat, my blood, my milk; all my things big and small. 

My mom couldn't wear contacts anymore after her first pregnancy. Again, things big and small. 

I recently finished reading Nightbitch by Rachel Yoder. It follows Mother, an in-hiatus artist SAHM, as she begins to transform into a dog during the nighttime -- Nightbitch. I won't spoil the ending, which I still feel uncertain towards, but Yoder manages encapsulate so many of the fears regarding mothering that I somehow have developed by the ripe age of 19. More specifically, she recognizes that there is a very unique damage that motherhood can do to one's artistic practice. I thought a lot about Nightbitch and her relationship to her son: a sometimes-terrible but perfect child who depends on her more than anyone and appears more dog than boy (although this is maybe not entirely his fault....).

Nightbitch certainly holds an unrelenting love for her son, but perhaps not an unconditional one. She more than subtly changes the boy to suit her needs. This kind of change is inorganic. The magical realist in-novel universe provides a rather lovely ending to the book where Yoder pushes for a more raw kind of love, for spontaneity, for an embrace of the nasty and the disgusting aspects of motherhood.

Does it always work like that though? Usually that leads more towards intensive therapy. 

Nightbitch reminds me of Chouette, a thematically similar book I read last year when I also happened to be working at an arts summer camp with children. In Chouette, our mother is named Tiny. Tiny is a cellist whose sudden and rather animalistic pregnancy results in an always-terrible but perfect child who depends on no one and appears more owl than girl. Chouette is a very different book in many ways: Tiny's husband is much worse than Nightbitch's and Tiny finds herself changing more and more for her child. 

I found Tiny's trajectory more believable. Her career is ruined, her marriage spoiled, her child gone. All because she did her best, I guess. In her own way.

I usually find myself pretty optimistic but motherhood is the one thing my instinct seems to refuse negotiations on. Never mind the whole non-woman thing. I don't even want to think about my body in relation to pregnancy in relation to gender. 

I highly recommend both mentioned books.

I can't wait for menopause. 


fuckatherine: (kristofferson)
I don't think I'm very good at just letting things be.


But then again, you only know what you're taught. My world never lets anything be. I learned earlier how unobstructed rivers will continue bending until their middles intersect, pushing water down this new pathway while severing a C-shaped section of its former track. This seems appropriate to describing my complaint in which the further I seem to be from any mildly me-altering event I inevitably and dramatically find myself back in its throes again. 

I think this is fun sometimes. Keeps things intriguing. Mostly, though, I imagine this:


Woman (?) Exits The Seclusion of Sleep With No Knowledge Of Any Turmoil Coming Their Way, As It Should Be Because:
There In Fact Is Nothing Stirring!
 
Sorrows, prayers, sorrows. I haven't seen the show (Catherine the Great?) but given the almost-namesake I'm going to keep the quote. 

Honestly though I think I just complain to complain. It would be a lie to suggest that I don't receive these ... visitations of the past ... without gleeful incredulity. I feel like letting something be implies letting it stagnate. I hate that. The best and most truthful understanding of these encounters is through the lens of opportunity. Every rendezvous is a chance to be better than I last was. Usually, when there's enough change from both sides, I am blessed with a resolution. 

Sometimes, however, there isn't. In that case I simply use the blade of free will, gifted to all but only wielded by some, and sever the tie. I might not ask for the situation but if needed, I can still get the fuck out!
fuckatherine: (dog rest)
 If you asked me what my ceramic pet peeve is I would answer you resolutely and immediately...

KINTSUGI
 
I guess that's not entirely fair because I'm not really talking about the original Japanese tradition. Rather I'm talking about its modern conceptualization into a mend-all-be-all in any type of whoopsie in Western art or non-art. 

Broke your girlfriend's coffee mug? Yes! Yes! Your shitty epoxy (unchecked for food safety, blemished by toilet paper fibers from when you squeezed too much and tried to wipe it off) painted gold (craft paint from middle school somehow still in the basement) will most definitely save you from her wrath and the cup from the trash. 

Need a contrived metaphor for healing from brokenness but rising from the pieces as opposed to becoming whole? Not the phoenix or even sock darning... yes. What this art piece needs is KINTSUGI it needs WABI-SABI it needs to be suffused with how CALM and ACCEPTING OF FATE and WISE the JAPANESE are. 


I don't think kintsugi is an inherently negative concept. I do think that some of you are lazy.


And I also think that kintsugi is an inherently cultural practice and while it's not necessarily kept from outsiders it needs to be acknowledged as such. You made this decision. Now quick! Tell me why. Can you really not cope with whatever has occurred to your object in any other way?

Boooooo.

Side note anyone who breaks an object to make it "better" with kintsugi is stupid and now your object is ugly. 


I mean, do what you want. I will just never respect you the amount I did before. 


***

Jul. 3rd, 2023 08:08 pm
fuckatherine: (dog run)

THE GIRL


Before she was a bird she was dead

and before she was dead she was a

girl.


He named her Nüwa.


Nü…

a jammed sticky sound, dips like a curtsey

Meaning girl, female, woman. Past, present, future.

…wa.

cut off croak Meaning frog

together meaning Girl-beast. What more is there to say after?


So Nüwa lived her days a girl who wore girl things who did girl things with a girl name until

she realized she could not be a girl or a girl-beast any longer.

She could not be either at all.


Walking into the ocean, she thought, I would much rather be just a beast.

And here the split occurred. Nüwa kept walking down into the ocean (drowning, her father said), and Jingwei flew out of it.


THE BIRD


They call me by my call now. Jiiiing.

Took my strange vowels, made them strong. Wei!


I forged a hooked beak. Glorious wings that push earth. I don’t fly, the world around me falls.


Jiiiiiiiiing wei! See how far that carries.


I carry my voice. I carry my sticks. But mostly I carry rocks: pebbles quartzsplinters magma-kernels

to throw into the sea.


Each rock displaces a rock amount of water, adds a rock amount of land. Eventually if I drop an ocean amount of rocks there will be an ocean amount of land and there will be the girl sitting.


But that will take a long time. For now there’s nothing to land on but big blue, deep salt. Just me and what took her. Could take me too.


If the girl rose from the sea I could land on her arm. Alternatively, if I stopped



Fell, ocean-embraced

I could still land in her arms.



JINGWEI IN SEARCH OF NÜWA


I wonder what my girl body is doing below the surface. I wonder if every time I drop my rock

she just so happens to be dropping one as well so that

the two stones meet in the middle

push the sea out on each side

Funny apple core of water


I wonder if she looks beneath her feet and is amused Smiles

I didn’t know that there were fish that looked like birds. Or

I didn’t know that there were birds that flew underwater.

And maybe she stands there, dropping more stones trying to lure the fishbird birdfish to the surface

See if it exists.


In that world she walks on water. In this one I walk on air.

If only I too walked on water here. Then none of this would have ever happened. We could have stayed one.


I can’t tell if the ocean has gotten any smaller.





I wonder if I will see her again.


THE FATHER’S TESTIMONY


Listen, okay.

I love. Loved my daughter. But she didn’t listen much.


Idle minded. Careless. I had to remind her of things every day.

Especially about that damn water. It’s too rough for little girls to swim in.

And it’s too cold! Ever been there in May?


No I don


Frigid! Do you know how long it took to get out there and search for her?

Whole fucking boat motor jammed. Wasn’t cheap either.


Damn.



I loved my daughter. She just liked to overcomplicate things.


What about Jingwei?


Who?


The bird.


That’s a bird.


But it’s also her.


How could I have raised a girl into a bird?


Okay, okay.


Have you tried apologizing?


There’s only so much I can do in the face of God.


But you are G


Listen.


THE SEA IN BETWEEN


Before she was a bird she was dead

and before she was dead she was a

girl.


She cried the whole way down. She did!

Fat tears of jubilation that melted

immediately into the current, the same current that

licks at the talons of the fishbird birdfish girlbird stonethrower at high tide.


Turns out the sea was not in fact shrinking. The bird was just flying higher.


And from here the bird can see little minutiae with big eyes like

how the gulf hugs the inlet

how the waves now seem all kitten-lappy How at times the surface breaks

and shimmers as if there are shoals of fish roiling beneath


As if some beast is settling in, shifting, nesting.

fuckatherine: (dog run)

I did not understand why I’d chosen Michigan, not at least on a cold-slighting night in one of the more inconsequential summers I’ve had. Part of it must be due to the Maryland humidity -- the land here once was a swamp and refuses to let anyone forget it. But anyhow. 

Perhaps “choose” is too heroic. I tinker in silence. Michigan. What else was there but big sky and big sea?

And that ocean had not even been an ocean, just water so vast I could genuinely believe it was the end of ends.

In the final Narnia installment, Caspian or Eustace or some child or another rows through a vast field of shimmering liquid, not quite freshwater and salt-like only in its resemblance to a pristine tear. Its surface appears silver-pure, marred only by the oars and body of the quietly passing voyage. I am now aware that Narnia had been some long and pronounced metaphor about Christianity and death. But at times, here namely in Michigan, I cannot help but envision the all-encompassing sea through which the children embarked on their final journey.

There is an awe that comes with such grand and unashamed water that is truly religious.

Sitting at the foot of the dunes, I trusted the expanse ahead. It seemed simple to get up, brush the sand from my crevices, and walk across the lake into the after.

And I think that’s the crux of it — the after, by which I mean the before.

Big sky and big sea. I find that increasingly these two notions are actually one and refer to my desire to be swallowed by something greater. This greater environment is welcoming yet impartial. Neither dispassionate nor impersonal, it is unbothered by my intrusion because it understands one crucial thing: a splinter can also be read as a homecoming.

It would only make sense. After all, I must return to from what I come, in essence if not in earth.


I think frequently about the Sleeping Bear Dunes story. The legend, if I recall correctly, tells of the frantic escape of a mother bear and her two cubs from a fire. The family swims across Lake Michigan but only one makes it across. When the mother treads to shore, she is greeted by nothing. Her cubs succumbed to their exhaustion some time ago: perhaps only a paw's length away, perhaps already reaching soft silt, but nonetheless gone.

Mother Bear waited and waited until she became a protrusion on the bluff itself. 
 

Clearly, this tale harnesses all my beloved themes against me: love, death, a reclamation by the earth, Mothers. All wrapped up neatly into a dream that once might have been real. 


When I said earlier that I had chosen Michigan, I too wondered if that meant that I would build a home there or if it meant one day I would find myself scouring the Petoskey lakefront for respite. Or something else entirely. Still, when I drift into sticky slumber states away, I think of the way the firs drop into sky-sea and know that I must return all the same. 

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