Do Not Remove
Sep. 25th, 2025 02:54 pm•
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Anyways, Frank O’Hara. Recently in my reading I’ve been searching for evidence. Another person’s words to put language to feelings I can’t yet. O’Hara gets it close enough but he, like everyone else, wants to write about New York and California and Budapest and France. No one wants to write about Providence. I don’t want to write about Providence either.
And I don’t really want to write about you. Stupid idiot. I feel stupid because I don’t know what I am allowed to feel, how I’m allowed to act. You keep telling me that I can feel however I feel, and that is true. But not all my feelings are helpful. Maybe not all of them are appropriate.
I want to grow up. I want to become strong and impervious, always capable of making the correct decision that harms no one and brings peace to all. I never want to tamp down jealousy and disguise it as concern again. I want to never feel hurt and never cry and never miss anyone ever. I want to never feel my stomach tighten and never be nauseous and never, ever do anything for anyone I care about ever again. All I want to do is do things for people I care about.
I want a good summer. I want a good life. It’s hard to imagine people who you haven’t met and situations you haven’t experienced—how will I know that things won’t always just be like this? The answer is that logically, I know that things can’t always just be like this. But I’m never strong enough to make it happen. I can never deal the killing blow.
We two who were not meant to be twins—
You follow me two summers behind
Same in our predilections, triumphs, sins
Blind child leading the blind.
A prayer upon a penny.
I place trust in luck, in little change,
In knowing that a scar is only a stripe when among many.
Strange:
This is our only world.
It can be no other.
The neck of time cranes, curled
Towards the navel, into mother.
I have known you since before memory
And I will know you after.
貞:今日,其雨?
Today, will it rain?
RAIN
Chickens indoors
lest they deal with
wet feathers. No
damp birds-clothes. But
the cows can stay.
Hurry—from the
west I see the
Clouds. From the west
I see bruise bloom.
Red hour. From the
West. From the west.
From the west
SUN
Close the shutters
at noon. Clay rich
contractions slow
sneak in the yard.
The cows must stay.
Heat jams all in
My lungs. No room
For air. Mid-day
fever is short—
still savage. No
room for air. Or
Much. Or cows
Coding: I made buttons that somewhat function! Skill and execution are always ramping graphs in pursuit of one another and I know my coding skills are lagging significantly behind but I'm proud of this one. I think it does what it needs to do...? I really want to improve, though. I could make really fun stuff to uhhhh self aggrandize my poetry even further hahaha!
Writing: Took inspiration from Anne Carson's Red Fragments and the structure of Sandra Cisneros' I am So Depressed I Feel Like Jumping in the River Behind My House but Won't Because I'm Thirty Eight and Not Eighteen.
Okay this question is taken from an oracle bone fragment inscribed with 甲骨文, or oracle bone script, which is kind of a proto-Chinese writing form from the Shang Dynasty. Shang Dynasty poetry is characterized by its short and straightforward nature. These poems are a sort of call-and-response from a couple thousand years later to whomever was wondering. Thought about my grandfather, my mother as child, the village (as always and as is typical for me). I was really drawn to the four letter phrase and how its numerical syntax remained constant in its translation into English, so I wanted to write my poems in this same four syllable rhythms—hence the title. I left the last phrases of both as three syllables—unfinished thoughts, open ended? I also wanted some things to be somewhat constant, thus the cows remain outside.
When I visited China almost a decade ago those cows were always outside. No leashes or ropes, though. I guess there wasn't really anywhere else to go.
Still deciding whether to call it "Two" or "Twin" future...that difference matters!

